In Coralie Fargeat's brand-new feminist terror flick The Substance, hazardous societal beauty requirements are the actual creatures. They (women objectification, the disposal of "the aged," the expansion of a business built on body customization) nourish a creature of a cycle that leads Demi Moore's fading TV individual character Elisabeth https://strangleroftheswampnow.activoblog.com/30802106/margaret-qualley